Tag Archives: London Fringe

Fringe Review 2016 – A Glass Eye Serves as a Window Into One’s Soul

By Jay Ménard

Fringe offers a venue for stories that may not otherwise get told. They afford a performer a level of intimacy that may not be permitted by larger, more cavernous venues, or that may be impeded by a screen.

At its best, Fringe is about sharing stories. It’s about falling in love with a performer and letting him or her transport you away for an hour.

And this year, at London’s Fringe Festival, on the Palace Theatre stage, accompanied only by a microphone for the most part — that’s how a woman with one ‘glass’ eye was able to allow us, the audience, to see clearly into her soul. And it’s how she was able to reach out and touch ours. Continue reading

Fringe 2016 Review – An Off Target Jesse James

By Jay Menard

Despite the legendary shooting acumen of its title character, Mr. Richardson was Jesse James, currently playing at The Palace Theatre as part of the London Fringe Festival, either misses the mark or, more appropriately, may not be sure what target it’s trying to hit.

The play bills itself as an Ontario South Western. But it reminded me more of my youth growing up in Montreal. Frontier Town, located in upstate New York, was a destination of choice for families looking for a vacation spot during the late 70s and early 80s. It was a place where the bad guys wore black hats, the kids would dress up as cowboys, and with cap guns in hand, we’d “shoot” the train robber, get our faces printed on the local newspaper, and walk away heroes. Continue reading

Fringe 2016 Review – 2 for Tea a Masterpiece of Refined Chaos

By Jay Menard,

It is hard to classify James & Jamesy’s 2 for Tea. It is at once a physical comedy and a touching story of friendship and love. It’s at the same time a paean to precision and an exercise in controlled chaos. It is both an homage to the great comedy duos of the past whilst remaining a contemporary delight that keeps getting better.

The easiest way to classify 2 for Tea is to say that it’s a must-see production on this year’s Fringe circuit. Continue reading

FRINGE 2015 – Bitte Schon Die Roten Punkte

By Jay Menard

Musical parody can be a sketchy proposition. It can grow tired quickly, it can descend into absolute silliness, and the music itself can leave much to be desired. But when it works, it’s magic — and the “German” power-punk duo Die Roten Punkte weave a show that’s so magical it must leave Siegfried and Roy* weeping in envy. Continue reading

FRINGE 2015 — A Divine Comedy

By Jay Menard

John Lennon once sang, “God is a concept by which we measure our pain.” Thank goodness Mike Delamont’s God is a Scottish Drag Queen — currently in its second iteration — wasn’t around in 1970, because there’s no way the Bard of Mersey could have sang those words with a straight face.

Continue reading