By Jay Menard,
With yesterday’s announcement of the Postmedia/Torstar swap of 41 newspapers, with the intent of shutting them down, the online world was above with lamentations about the loss of community content, the unfairness of the decision, and allegations of big business and corporate greed ruling the roost.
The thing is, Instead of wringing our collective hands after the fact, maybe we should be more willing to reach into our collective wallets beforehand.
Or, in short, if you want good, community content, pay for it. Continue reading
Ranked ballots — it’s easy as counting 1-2-3, right? But voting is so much more than that — and focusing on the symptom, rather than the disease, is not going to solve a much larger problem of voter disenfranchisement.
London’s council is discussing ramming through electoral changes to a ranked-ballot system in time for the next election. Yesterday, Dave Meslin — an advocate for ranked ballots, was on the Devon Peacock show promoting ranked ballots. In his oversimplification of the issue, he stated, “the suggestion that people won’t know how to count to three is actually quite offensive and patronizing to the residents who live in London. I’m quite confident they’ll figure it out.”
What’s insulting is the insinuation that voting is that simple. It isn’t. It’s hard. The act of voting itself is simple, yes. But the act of casting an informed ballot is much more difficult and requires much more of an investment.
Unfortunately, voters have historically not seen a return on that investment — and until that changes, any adjustments to the voting protocol is just putting lipstick on a pig.
By Jay Ménard
Fringe offers a venue for stories that may not otherwise get told. They afford a performer a level of intimacy that may not be permitted by larger, more cavernous venues, or that may be impeded by a screen.
At its best, Fringe is about sharing stories. It’s about falling in love with a performer and letting him or her transport you away for an hour.
And this year, at London’s Fringe Festival, on the Palace Theatre stage, accompanied only by a microphone for the most part — that’s how a woman with one ‘glass’ eye was able to allow us, the audience, to see clearly into her soul. And it’s how she was able to reach out and touch ours. Continue reading