By Jay Menard
At the end of Valerie Cotic’s Orbituary, she states, in describing the end of the life cycle of a star, that the remaining gases, elements, and debris, “have the potential for some pretty amazing things.” It’s an apt description of this play, which though parallelling relationships and existential angst about death with the birth and death of a star, finds itself more like a moon — stuck in stasis between opposing gravitational forces.
Cotic opens and closes the play describing herself, using terms like “opinionated” and “emotionally intense,” but unfortunately that fails to shine through the production. The acting is pleasant, but for such weighty material remains superficial. Continue reading