By Jay Menard,
What happens when you’re chasing a dream, but can’t let anyone know you’re running after it? In Gamer Boy Patrick Avery-Kenny answers that question in hilarious fashion — and also discusses what comes next once that race is run.
Gamer Boy is a story of Avery-Kenny’s dreams to be a professional gamer, centred around when a 13-year-old Avery-Kenny earned his way into a Halo gaming competition, then had to concoct a plan and deceive his parents to travel on his own to the 2006 Free-for-All Tournament in Dallas, Texas. Continue reading
By Jay Menard
Cleaning Up is ostensibly a story about people who deal with what others “leave” behind, but this charming and hilarious show is, at its roots, about the wonderful (and sometimes not-so-wonderful, yet still memorable) moments and people that we take with us along the way.
There is so much to love about this show. From the delightfully endearing and conversational nature of playwright and lead Tammy Vink, to the wonderfully entertaining, wink-and-a-nod-melodrama of Sookie Mei, to the charming versatility of Dinah Watts (who embodied several ancillary roles and went from bratty to tender with aplomb), the three main actresses weave together a story that is exceptionally paced, light-hearted, and eminently relatable. Continue reading
By Jay Menard,
Daniel MacIvor’s HOUSE, as performed by Jon Paterson, is a show that is at once extremely compact and incredibly expansive. It is a show that both is perfectly confined by TAP Centre for Creativity stage, but demands a release of its boundless energy. It’s exhausting, uplifting, depressing, and enervating — all at once.
The show can be described as a manic ballet of verbal surrealism that all takes place within a two-square-foot area. Paterson rarely strays from his simple chair in the middle of the stage. A single white spotlight illuminates him and, even in his brief forays breaking the fourth wall, the audience is drawn into the intimacy of the performance. Continue reading
By Jay Menard
This past week, we saw a lot debate around the preferred location of a safe injection site that revolved around location, city building, convenience, and time, but that failed to address the primary need — that of the users who need support and resources.
Add to that facile Tweets, misinformation, and unrealistic timeframes for pseudo-public participation, and you had an environment that was custom-built to encourage failure.
The debate about a location for the safe injection site shouldn’t have been about NIMBYism. But, in many cases, that’s what it devolved into. For those who are quick to cast aspersions on-line, it’s an easier narrative. It’s also a false one — and the fact of the matter is that location is only at the surface of the challenge.
We need to ensure we look at the facts, not just a map, to deliver the best solution for those who need it most. Continue reading
By Jay Menard
Accessibility is a great buzz word. And having people with disabilities on stage with you or featured on your campaign literature sure makes for a good photo op. But far too often, a commitment to accessibility extends beyond nothing more than tokenism — and if that’s what you’re looking for, you’re missing out on a tremendous opportunity to develop a plan that addresses everyone’s needs.
Today I had the honour of representing the Accessibility Advisory Committee at the Candidate Information Session for the 2018 Municipal Election. My topic was “Running an Accessible and Engaging Campaign.”
Much of the presentation was prepared in a document called “Count Us In: Removing Barriers to Political Participation,” which focused on how to interact and engage with people with disabilities during campaigning. But I firmly believe the majority of the work needs to be done well before you hit the campaign trail. The presentation focused on the campaign, after the fact, but if you’re going to truly embrace accessibility, that inclusion should be undertaken right from the start when you’re developing your platform.
If you were in this room talking with me, that’s a start. But I’m going to ask another question: “Where were you?” Continue reading